“Moonlit Reunion” Sparks Fan Frenzy as New Chinese Fantasy Drama Debuts on Tencent Video
The new Chinese fantasy drama 子夜归 has entered the streaming‑season spotlight under its most widely accepted English title, Moonlit Reunion. The series, which debuted on Tencent Video on August 18, 2025, is a high‑budget adaptation of the popular internet novel 《梅夫人宠夫日常》 (“Mrs. Mei’s Daily Life of Doting on Her Husband”) by author Fuhua. While a literal translation of the Chinese name would be “Return at Midnight,” the producers opted for the more evocative “Moonlit Reunion,” a phrase that also appears on official marketing materials and in the subtitles of the English‑language release.

18 August 2025
At the heart of the story are two unlikely allies whose secret lives intersect in the night‑shrouded streets of Tang‑dynasty Chang’an. Xu Kai, known to Chinese audiences as 许凯, portrays Mei Zhuyu (梅逐雨), a celestial master and head of the Xuanjian Bureau who spends his days overseeing the human realm’s magical affairs. Opposite him, Tian Xiwei (田曦薇) plays Wu Zhen (武祯), a cat‑demon who also holds the title of county princess. By day, Mei Zhuyu and Wu Zhen appear as aristocratic figures navigating the court’s intrigue; by night, they become a lethal partnership, battling conspiracies that threaten both the human and demon worlds. Their chemistry has quickly become a focal point of fan discussion, with viewers dubbing the pairing “CP” (couple pairing) and flooding social media with comments about the “strong CP feeling” they exude on screen.
The series’ production faced a minor but notable adjustment before its launch: the episode count was trimmed from an originally announced 39 installments to 38, a change that was widely reported in entertainment news outlets but did not appear to dampen anticipation. The reduction likely reflects a final edit to tighten narrative pacing, a common practice for large‑scale Chinese dramas that aim for tight storytelling in a competitive streaming market.

The promotional campaign for Moonlit Reunion has been as meticulously orchestrated as its special effects. A teaser trailer released weeks before the premiere highlighted the series’ blend of romance, supernatural combat, and period aesthetics, describing Chang’an as a city “where all beings reveal their true colors at midnight.” The trailer introduced the core cast, including cameo appearances by Wang Jiayi as Liu Tai Zhen and Zhu Zhengting as Pei Jiya, and hinted at the involvement of supporting talent such as Wu Junting, Yi Daqian, Fan Shiran, Shan Jingyao, and Lai Weiming. A particularly viral poster—labeled the “fish‑shadow cat” poster—featured Tian Xiwei’s Wu Zhen with a mischievous fish‑like creature that “catches demons,” further fueling speculation about the series’ whimsical tone.
Buzz around the drama surged after Taiwanese singer JJ Lin (林俊杰) shared an unaired clip on his personal account, praising Tian Xiwei’s performance as “活泼可爱” (lively and cute). Lin’s endorsement, given his massive regional following, helped translate industry optimism into a wave of reservations that topped the one‑million mark ahead of the broadcast date. The excitement was echoed on China’s Weibo platform, where the hashtag #子夜归开播# quickly trended. Users posted a mixture of celebratory remarks—“finally, the nightwatchers can watch this day” and “Mei Xiaolangjun is so handsome, Wu Zhen Niangzi is so beautiful”—alongside pledges to binge‑watch the first five episodes in one sitting. Even minor roles sparked conversation; viewers highlighted Li Pei’en’s brief appearance as Jin Wuwei, a Golden Guard, calling the performance “absolutely superb.”
Beyond fan enthusiasm, the series appears to be resonating with a broader audience that appreciates its hybridized genre. The narrative’s core premise—human and demon allies navigating a dual existence—aligns with a current appetite for supernatural romance set against historical backdrops, a niche that has produced several recent hits on Chinese streaming platforms. Moreover, the production’s visual design—luxurious Tang‑era costumes, richly rendered night‑time cityscapes, and seamless CGI depictions of cat‑demons and otherworldly creatures—has drawn commendation for its high production values.
In the first week of airing, viewer feedback on Tencent’s platform reflected a mostly positive reception. Comments praised the chemistry between Xu Kai and Tian Xiwei, the intricate world‑building, and the pacing of action sequences. Some viewers noted minor deviations from the source novel’s character arcs, yet these critiques were outweighed by the general sense of enjoyment. The show has also sparked discussions around the broader “human‑demon” trope in Chinese folklore, with scholars and pop‑culture writers weighing in on how Moonlit Reunion reimagines traditional mythic elements for a modern streaming audience.
As Moonlit Reunion continues its run, the series is likely to remain a talking point both online and offline. Its combination of star power, a beloved source novel, and a meticulously staged promotional push has already secured a dedicated viewership, while the cultural resonance of its themes suggests it could become a reference point for future fantasy dramas. For now, audiences across China and among the global diaspora are staying up late—just as the title promises—to follow Mei Zhuyu and Wu Zhen through the moonlit streets of Chang’an, eager to see how love, duty, and supernatural intrigue intertwine under the veil of night.
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