Revisiting Guo Jingming's 'The Age of Innocence': A Timeless Symbol of Chinese Cinematic Extravagance
In the realm of Chinese cinema, where opulence and extravagance often play a starring role, one director's name has become synonymous with the lavish and the grandiose: Guo Jingming. A decade has passed since the release of his magnum opus, "The Age of Innocence," and yet, the film's legacy continues to captivate audiences and spark discussions.
24 December 2023
The recent resurgence of interest in Guo's work was sparked by a series of tweets that praised his ability to capture the essence of decadence. Netizens marveled at the film's production value, from the sumptuous costumes to the meticulously crafted sets. One tweet, in particular, highlighted the film's visual splendor, noting that the "fittings and props in 'The Age of Innocence' were so luxurious that Guo Jingming did not deceive the audience ten years ago."
However, not all reactions were positive. Some users expressed discomfort with the overt display of wealth, questioning the film's values and the director's portrayal of affluence. One user pointed out, "I remember '纸醉金迷' is a derogatory term, right?" Another criticized the film's narrative, stating, "Guo Jingming is a good director but not a good screenwriter."
Despite the mixed opinions, there is no denying the impact of "The Age of Innocence" on Chinese cinema. The film's visual cues, such as the globally unique BV red dress worn in the snow and the Burberry-designed school uniforms, have become iconic. The lengthy list of sponsors at the end of the film further underscores the film's grandeur.
The tweets also revealed a divide in aesthetic appreciation. While some netizens were impressed by the film's "unparalleled" aesthetic, others were more critical, suggesting that Guo's portrayal of wealth was akin to a peasant's imagination of a golden plow for the emperor. This debate over the director's artistic merit reflects the diverse opinions within the online community.
The enduring appeal of "The Age of Innocence" is further evidenced by the public's yearning for the film's quality in contemporary cinema. One user lamented, "The fact that we're still talking about 'The Age of Innocence' shows just how lacking current film productions are."
In conclusion, Guo Jingming's "The Age of Innocence" remains a benchmark for visual extravagance in Chinese cinema. Whether one views it as a masterpiece or a symbol of decadence, the film's influence is undeniable. As the internet continues to debate its merits, one thing is certain: "The Age of Innocence" has left an indelible mark on the cultural landscape of China.
