Veteran Chinese Singers Wang Lixin and Su Xing Turn Playful “Quarrels” into Viral Comedy Hits

Wang and Su first crossed paths as contestants on Happy Boys, a talent show that turned a handful of hopefuls into household names. Along with fellow 2007 participants Chen Chusheng, Zhang Yuan, Wang Zhengliang, and Lu Hu, they later regrouped under the moniker “再就业男团” (the Re‑employment Boyband). The collective has cultivated a reputation for unfiltered, improvisational entertainment, a stark contrast to the polished, image‑controlled demeanor typical of Chinese idols. Their chemistry has been showcased on a string of reality programs, most notably Happy Re‑employment (再就业男团) and the third season of the music‑competition series Call Me By Fire (《披哥3》).

The most recent “argument” unfolded in a training room, where Su Xing, feigning exhaustion, suggested the group take a break, complaining of dizziness. Wang Lixin, ever the energizer, counter‑questioned Su’s sudden fatigue with exaggerated indignation. The exchange quickly escalated into a comedic back‑and‑forth, complete with mock scolding, sarcastic hand gestures, and the occasional mediation attempt by Zhang Yuan, who tried—unsuccessfully—to calm the fray. By the time the clip was posted on Weibo and Douyin, captions such as “Directly clashing face‑to‑face” and “Friends fighting like siblings” accompanied the video, underscoring the tongue‑in‑cheek nature of the showdown.

Other members of the Re‑employment Boyband have occasionally been drawn into the fray. During an earlier episode of Call Me By Fire Season 3, Chen Chusheng’s disagreement with Wang Lixin over a performance arrangement prompted a brief “scolding” of Zhang Yuan, who was portrayed as the scapegoat. Wei Chen, a longtime friend of both Wang and Su, found himself caught in the crossfire of lingering rumors about past camaraderie, while Yao Zheng appeared “invisible” as the fanbases of Wang and Su took the opportunity to spar online, adding a layer of fan‑driven theater to the already lively exchanges.

Fans of the two singers—known respectively as Wang Lixin fans (王栎鑫粉丝) and Su Xing fans (苏醒粉丝)—have responded with equal parts enthusiasm and amusement. The online commentary, peppered with emojis and playful jabs, treats each faux‑fight as an episode of a beloved sitcom rather than a scandal requiring serious scrutiny. In many posts, supporters celebrate the duo’s willingness to break the “perfect celebrity” mold, praising their authenticity and the relief it brings to an industry often criticized for its over‑curated image.

Analysts of Chinese pop culture note that the appeal of these mock disputes lies in their rarity. The entertainment sector in China is known for meticulously managed public personas, and moments when idols appear genuinely relaxed—even to the point of mock‑arguing—provide a refreshing glimpse into their off‑stage personalities. This authenticity, combined with the duo’s seasoned comedic timing, has propelled the clips to viral status, further cementing the Re‑employment Boyband’s status as “internal entertainment madmen” who challenge conventional celebrity behavior.

While the “quarrels” have generated curiosity, there is no indication that they have any substantive impact on the music industry, broader society, or political discourse. The incidents remain confined to the realm of fan communities and entertainment media, serving primarily as a vehicle for lighthearted engagement between the artists and their audience. In an environment where celebrity drama often fuels tabloid headlines, the playful exchanges between Wang Lixin and Su Xing stand out as a reminder that sometimes the most compelling stories are those that celebrate friendship, humor, and the simple joy of being oneself on camera.