Ziyu’s Midnight Drop “Melatonin” Sparks Fan Frenzy and Highlights China’s Streaming Strategies
Ziyu, the rising star who has been dominating Chinese streaming charts in recent weeks, dropped his sixth single in just thirty days on the stroke of midnight, August 18, 2025. The track, titled “Melatonin” (褪黑素), appeared exclusively on NetEase Cloud Music and immediately set social media alight, confirming Ziyu’s status as one of the most prolific and beloved figures in today’s C‑pop landscape.

18 August 2025
The timing of the release was no accident. “Melatonin” arrived just as the final episodes of the popular drama that has been front‑and‑center in Ziyu’s recent career were wrapping up, serving as a kind of musical farewell for fans who have followed the on‑screen characters Wu Suowei (吴所畏) and Chi Wei (池畏). In the lyrics, Ziyu likens the hormone that regulates sleep to a soothing presence that eases the ache of longing: “The more I try to forget you, the more I want to see you…Melatonin is so much like you, soothing my nerves.” The metaphor struck a chord with a generation that grapples with “urban insomnia” – the restless, sleepless nights that have become a defining feature of modern city life.
Within minutes of the midnight launch, Weibo users were flooding the platform with praise. Comments such as “晚安谢谢每个不留遗憾的你” (“Goodnight, thank you to every person who leaves no regrets”), “梓渝是真的太有实力了” (“Ziyu is truly talented”), and “梓渝真的太争气了” (“Ziyu really rocks”) painted a picture of overwhelming enthusiasm. A quick scan of the hashtag #梓渝褪黑素上线 revealed thousands of posts, none of which hinted at controversy or negative sentiment. Instead, the tone was uniformly supportive, highlighting how the song’s emotional resonance and its connection to a beloved drama amplified fan engagement.
Industry observers note that Ziyu’s release strategy reflects a broader shift in how Chinese artists leverage social media and precise timing to maximize impact. The “zero‑point launch” – dropping a track exactly at 00:00 – has become a staple of the digital music playbook, creating a surge of streaming numbers that feed algorithmic recommendations and charts. By delivering six songs in a single month, Ziyu has set a new benchmark for release frequency in an industry that typically spaces out singles to prolong promotional cycles. For his record label, the payoff is immediate: each stream contributes to royalty payouts, and the buzz generates ancillary revenue streams ranging from merchandise to concert ticket sales.
The fervor surrounding “Melatonin” also underscores the power of fan culture in China’s entertainment ecosystem. Weibo, the country’s premier microblogging platform, serves not only as a newsfeed but as a rallying point where fan accounts amplify an artist’s visibility through coordinated posting, hashtag creation, and sharing of lyrical excerpts. The enthusiastic comments are more than mere appreciation; they act as a crowdsourced promotional engine that can propel a single to viral status within hours.
Beyond the mechanics of marketing, the song’s thematic focus on sleeplessness and yearning taps into a collective emotional current. As Chinese cities continue to grow and the pressures of a hyper‑connected lifestyle intensify, “Melatonin” offers a lyrical balm. Listeners have taken to quoting lines like “The past, whether it passes or not, in the dark night, I miss you so much I couldn’t quit you,” using the track as a soundtrack for late‑night contemplation. In this sense, the single works as both a commercial product and a cultural touchstone, reflecting contemporary anxieties while providing a soothing escape.
While the release has generated significant buzz, there is no indication that it carries any political overtones. Searches for broader implications yielded only scientific research on melatonin and unrelated news items that happen to contain the characters 褪黑素 or 梓渝. The song appears to be a straightforward artistic offering, untainted by overt messaging that would attract governmental scrutiny—a notable point in a market where lyrical content can sometimes trigger regulatory attention.
In sum, Ziyu’s “Melatonin” is a textbook example of how modern Chinese pop stars fuse rapid content output, strategic timing, and deep fan engagement to dominate the digital soundscape. The track’s lyrical intimacy resonated with a generation fatigued by sleepless cities, while its midnight debut and seamless tie‑in with a beloved television drama maximized cultural relevance. As the song climbs streaming charts and continues to be shared across Weibo, it reinforces Ziyu’s position not just as a prolific musician, but as a cultural conduit for the moods and moments that define today’s youthful Chinese experience.