Actress Du Chun's Wife Debunks Rumors of Attending 'Socialite Training' Amid Social Media Storm

In a recent development, Wang Can, the wife of renowned actor Du Chun, has publicly refuted claims of her participation in so-called "socialite training classes." This denial comes amidst heightened speculation and rumors suggesting her association with such programs, sparked by a photograph featuring Wang Can alongside internet celebrity Ye Ke and other women, all bearing a striking resemblance to one another.

The speculation regarding these "socialite training classes" reignited following actor Huang Xiaoming's announcement of his relationship with Ye Ke, drawing attention to Ye Ke's past associations and leading netizens to uncover photos linking her to Wang Can. The conceptualization of these classes, often perceived as avenues for women to enhance their desirability and social standing through learning specific etiquette, style, and networking skills, has been a topic of considerable intrigue and skepticism in China.

Wang Can, in a swift and categorical response via her live broadcasts and social media channels on July 17, 2025, denied any affiliation with such training. "I am not a celebrity, and I have not attended any training classes!" Wang emphasized, providing context to the photos by clarifying that they were taken at a friend's birthday celebration, where her interaction with Ye Ke was initiated by Ye Ke herself.

Expressing her frustration and highlighting her humble upbringing, Wang stated, "My family background is not good, I was born in a small place, I have suffered." She firmly rejected any portrayal of herself as a wealthy socialite and issued a challenge to those perpetuating the rumors, vowing to permanently withdraw from online activities if any corroborating evidence of her participation in these classes emerged.

This incident underscores several broader societal implications, including the pressures and expectations placed on women, particularly those in the public eye, and the societal fascination with perceived shortcuts to wealth and status. Wang Can's denial also touches on themes of authenticity versus curated image in the social media age, and critiques of materialism and superficiality.

For the entertainment industry, this episode highlights the challenges of narrative control and crisis management, as well as the appeal of a relatable, "ordinary person" image for public figures. While not directly political, discussions around wealth acquisition and social mobility resonate with broader sentiments about social fairness and inequality.

The story of Du Chun's wife and the alleged "socialite training class" reflects a society grappling with evolving norms, media influence, and a preference for narratives of genuine achievement over manufactured personas.