Jackson Wang Films “Let Loose” Music Video Entirely on Apple’s iPhone 17 Pro, Highlighting Mobile Filmmaking Power】
Jackson Wang, the Hong‑Kong–born pop star who has built a global following under his Mandarin name Wang Jiaer, has just turned his latest single, “Let Loose,” into a showcase for cutting‑edge mobile technology. The music video, which premiered on September 13, was filmed entirely with Apple’s newly released iPhone 17 Pro – a move that has sparked a wave of admiration across social media, a personal endorsement from Apple’s chief executive Tim Cook, and fresh conversation about how smartphones are reshaping the creative landscape.

11 September 2025
The collaboration began when Apple approached Wang, whose recent releases have blended high‑energy dance beats with a sleek visual aesthetic, to test the iPhone 17 Pro’s advanced video capabilities. The phone’s flagship‑level camera system – featuring a larger sensor, continuous optical zoom, dual‑camera synchronous recording and industry‑leading anti‑shake performance – was paired with a suite of SmallRig accessories, a Chinese brand renowned for its modular filming rigs. Together they built a lightweight, mobile kit that allowed the crew to capture the fast‑paced choreography and dynamic lighting of “Let Loose” without the bulk of traditional cinema cameras.
When the video dropped, the response was immediate and unmistakable. On Weibo, China’s largest micro‑blogging platform, the hashtag #王嘉尔新MV用iPhone拍摄 trended for hours, amassing millions of views and comments. Fans expressed a mix of awe and excitement, marveling that a professional‑grade music video could be produced with a device that sits in most users’ pockets. “Everyone can be a director now,” read one user, echoing a sentiment that resonated across borders: the line between amateur and professional visual work is blurring faster than ever.

Tim Cook amplified the buzz with a succinct yet enthusiastic post on X (formerly Twitter), praising the “dynamic camerawork” and Wang’s “creative vision.” The CEO’s public backing not only validated the technical achievement but also underscored Apple’s broader strategy of positioning the iPhone as a serious tool for creators, not just a consumer gadget. In the weeks leading up to the release, Apple’s marketing materials highlighted the iPhone 17 Pro’s specs – especially its ability to maintain cinematic depth of field and crisp motion capture – using “Let Loose” as a real‑world case study.
Industry analysts see the project as a milestone in the democratization of content production. As smartphone cameras catch up to, and in some cases surpass, entry‑level dedicated video equipment, the barriers that once required multi‑million‑dollar rigs are eroding. For aspiring musicians, filmmakers, and even independent newsrooms, the accessibility of high‑quality video on a device that costs a fraction of a traditional camera package opens the door to a wider diversity of voices. “The technology is no longer the limiting factor; storytelling, concept and execution are,” notes a media‑technology consultant who follows the Asian pop market.
The move also hints at a shift in production paradigms. While the iPhone cannot fully replace the nuanced control of a full‑frame cinema camera, its agility enables faster shooting schedules and more experimental setups. In “Let Loose,” Wang’s team exploited this flexibility, shooting on location in a compact studio that would have been logistically challenging with larger equipment. The result is a crisp, kinetic visual that feels intimate – a byproduct of the phone’s natural field of view and the close‑up framing that smartphones excel at.
Beyond the technical merits, the video has reinforced Wang’s reputation as a trend‑setter. Known for his charismatic stage presence and willingness to push creative boundaries, he adds “pioneer of mobile filmmaking” to his résumé. Critics have noted that the high‑energy dance track, which follows the leak of his previous album on July 17 2025, benefits from the immediacy of the visual style. The raw, kinetic aesthetic mirrors the song’s pulse, suggesting that the choice of equipment was as much an artistic decision as a marketing one.
The commercial payoff appears significant for both parties. Apple enjoys a high‑profile endorsement that showcases the iPhone 17 Pro in a glamorous, music‑centric context, while Wang gains global media coverage that extends past the usual entertainment press into tech circles. The collaboration demonstrates how brand synergies can elevate a single release into a cultural moment, with each side leveraging the other’s audience to amplify reach.

Social media chatter also highlighted the role of local innovation, with many users pointing out the SmallRig accessories that helped stabilize the iPhone and achieve the professional look. The mix of an American tech giant, a Chinese pop star, and a domestic hardware brand paints a picture of a increasingly interconnected creative ecosystem.
Overall, the public’s reaction has been overwhelmingly positive, blending excitement for the technological feat with admiration for Wang’s artistic vision. The story of “Let Loose” – a dance‑floor anthem captured entirely on a smartphone – may well become a reference point for future music videos, advertising campaigns, and even independent filmmaking. It underscores a broader cultural shift: as the tools for high‑quality visual storytelling become more affordable and portable, creativity is no longer gated by expensive gear, but by imagination.
In the weeks ahead, industry watchers will see whether other artists follow suit, and how the momentum from this high‑profile partnership influences both the music video format and the market for professional‑grade mobile devices. For now, Jackson Wang’s iPhone‑shot MV stands as a vivid illustration of how a single piece of technology can ripple through pop culture, marketing strategies, and the very definition of what it means to produce “professional” content.