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Chinese Netizens Celebrate the ‘Male Lead’s Golden Tongue’ Meme from Hit Drama ‘Our Rivers and Mountains’

In the bustling world of Chinese social media, a new catch‑phrase has been bubbling up on Weibo, delighting viewers and sparking endless memes: “有男主这张嘴干什么都会成功.” Roughly rendered in English as “With the male lead’s mouth, anything he says succeeds,” the line captures a uniquely Chinese blend of humor, admiration and a touch of irony. Its rise is tied to one of this year’s most talked‑about television dramas, *我们的河山* (Our Rivers and Mountains), and, more specifically, to the character of Zhuang Qifeng, portrayed by actor Wang Lei.

20 August 2025

At first glance the phrase appears straightforward: “有男主” (“there is a male lead”), “这张嘴” (“this mouth”), and “干什么都会成功” (“whatever he does will succeed”). Yet the literal translation sounds clunky in English, prompting local fans to spin a variety of idiomatic equivalents—“He’s got the golden tongue of a male lead; everything he says turns to gold,” “He has the plot‑armor of a leading man, so nothing he attempts can fail,” or simply “He’s got the male lead’s Midas touch.” Each of these captures a slightly different nuance, ranging from persuasive charisma to the almost supernatural luck that seems to shield a hero from defeat.

The contemporary usage of the phrase, however, is far more pointed. It rose to prominence in June 2023, when Our Rivers and Mountains debuted on national television. The series, set against the backdrop of a tumultuous period in Chinese history, follows Zhuang Qifeng—a modest, bookish teacher who never fits the traditional mold of a sword‑wielding action hero. Instead, his weapon is his voice. In the weeks following the show’s premiere, netizens flooded Weibo with posts and screenshots extolling Zhuang’s uncanny ability to untangle crises with nothing more than a well‑timed argument, a clear‑cut logic, and a steadfast belief in his cause.

One of the most quoted scenes shows Zhuang mediating a bitter rivalry between the villages of Dawan and Lyu Family. Where a typical drama might have resorted to guns and bloodshed, Zhuang steps into the fray, cites historical precedents, and appeals to the shared desire for stability. Within minutes, the feuding chieftains lower their weapons and sign a pact. Another fan‑favorite moment has him rallying a group of weary farmers, forming an agricultural relief association that guarantees food supplies even as the war front shifts. And perhaps the most daring demonstration of his “golden mouth” comes when he convinces the reluctant Zhang Zhiping to return behind enemy lines as an undercover agent—an act that ultimately saves countless lives.

Wang Lei’s performance has been praised not simply for its emotional depth but for the way he delivers Zhuang’s speeches: calm, precise, and imbued with a quiet confidence that feels almost magnetic. Viewers have taken to labeling this brand of charisma as a “new kind of superpower,” marking a departure from the genre’s usual emphasis on physical prowess. The phrase “有男主这张嘴干什么都会成功” has thus become shorthand for celebrating a protagonist whose strength lies in language, intellect and an indefatigable sense of duty.

The meme’s popularity also signals a broader cultural shift in China’s entertainment discourse. As audiences become more attuned to nuanced storytelling, they are rewarding characters who solve problems through dialogue rather than brute force. This trend echoes a growing appreciation for soft power—both within fictional narratives and in real‑world geopolitics—where words, negotiation and moral authority often achieve what swords cannot. By highlighting Zhuang’s “mouth” as his primary asset, netizens are, in effect, championing a form of heroism that aligns with contemporary values of empathy, reasoned debate and collective responsibility.

Despite its humorous undertone, the line carries a subtle critique. Some commenters point out that the very ease with which Zhuang navigates these challenges feels implausibly smooth—a nod to the “plot armor” that many television protagonists enjoy. In this light, the phrase can also serve as a tongue‑in‑cheek reminder that even the most eloquent hero is still a construct, designed to inspire rather than accurately reflect the gritty complexities of history.

As Our Rivers and Mountains continues its run, the catch‑phrase shows no signs of fading. Its presence on Weibo remains strong, with new examples emerging each episode as fans dissect Zhuang’s latest verbal triumphs. Beyond the confines of the drama, the expression may well seep into everyday conversation, used to describe anything from a savvy negotiator in the boardroom to a friend who always seems to land on the right answer.

In the end, “有男主这张嘴干什么都会成功” encapsulates a moment where a line of dialogue transcended its script to become a cultural touchstone. It reflects not only the power of a single performance but also the evolving tastes of a vast audience eager for heroes who wield words as deftly as swords. Whether the phrase endures as a meme or evolves into a lasting idiom, its origin story offers a vivid snapshot of contemporary Chinese media, the internet’s rapid amplification of pop culture, and the timeless allure of a protagonist whose voice can indeed move mountains.


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