Subscribe to our newsletter

Stay updated with the latest news and trends. No spam, unsubscribe any time.

Browse

Categories, quick links and the newsletter.

Quick Links

Newsletter

Get the latest updates

Subscribe to our newsletter to stay informed about trending topics.

Entertainment

She Painted Herself Single. Three Viewers Sent Her ¥25 Million. Was It Fraud?

Chinese prosecutors say a 25-year-old live-streamer hid a husband and two children while cultivating three big-tipping viewers; her side says the money was voluntary screen romance. The ¥25 million dispute is testing where China's parasocial gift economy ends and fraud begins.

She Painted Herself Single. Three Viewers Sent Her ¥25 Million. Was It Fraud?

In a Chinese live-streaming room, affection travels as screen gifts: a glowing crown, a fleet of sports cars, a barrage of hearts. Most viewers chip in a few yuan. The person at the top of the leaderboard has a title, bǎngyī dàgē — the "No. 1 brother," the whale of the room. Across Chinese social media this week, a single live-streamer is forcing a hard question about what that title actually buys.

Prosecutors say the 25-year-old streamer, Wei Ying, built a single-girl persona while married and raising children, then encouraged three men to keep giving. Between them, the three are said to have tipped ¥5 million, ¥5 million and ¥15 million — a total of ¥25 million. One crux of the case, reported by a Weibo commentator, is timing: Wei was allegedly pregnant with her second child while juggling the flirtations, a detail that makes the "single" act feel less like performance and more like scheme. Her lawyers counter that she received only a little over ¥3 million after platform cuts and channel fees, and that gifts are, by definition, freely given — a man cannot spend his way into a relationship and then call it theft.

The public is split, and unusually, neither side comes off as clean. One high-profile thread argues that no normal person parts with millions without emotional groundwork — the late-night messages, the implied chance at romance. "If a streamer never intends to actually date a fan, she shouldn't accept tips running into the millions," that post argues. Then it pivots: "Though these three 'big brothers' aren't saints either — married themselves, and still chasing affection." Another post calls the case "an engineered collapse of trust," adding that the real story may be less about love than about where the other ¥22 million went.

That arithmetic is the quiet subplot. Chinese live-streaming platforms take a large cut of gifts and the artists' agencies take another; the gap between what a viewer spends and what a streamer keeps can be vast. The dispute, framed by a Zhihu question being read in the millions as "a woman hiding her marriage to coax ¥25 million in tips" versus "a top tipper's extortion-style rights claim," is really two arguments bolted together. First: was the persona a performance or a forgery, and when does an online persona cross into deception? Second: who should bear the cost of a platform economy that monetizes the illusion of intimacy?

Wei Ying's case has been charged, not yet decided. Whatever the verdict, it has made vivid something the industry would rather keep fuzzy — that the "No. 1 brother" is not buying a person, but he is often sold a fantasy that one day he might be.