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Yang Mi’s Costume Appearance Steals Spotlight at “This Thriving Land” Celebration Banquet, Igniting Fan Praise

The Chinese television drama “生万物” – roughly translated as “This Thriving Land” – has sparked a wave of celebration across social media after its final episode aired to strong ratings and a flood of fan praise. Central to the buzz is a lavish “celebration banquet” held in Beijing, an industry tradition that marks the successful wrap of a series and gives cast, crew and fans a chance to toast the achievement.

2 September 2025

The biggest name at the event was actress Yang Mi, who spent the series’ run portraying the rustic heroine Xiuxiu, a “village girl” whose simple‑life struggles anchor the show’s rural theme. Yang posted a group photo from the banquet on her Weibo account, smiling beside a towering cake emblazoned with the drama’s title. Fans responded with an outpouring of emojis and comments that the cake was “very 牛” – a slang way of saying it was impressively cool.

What set Yang’s appearance apart, and the subject of many online compliments, was her decision to attend in costume. She wore Xiuxiu’s signature dress, a gesture that many viewers interpreted as a sign of genuine affection for the role and respect for the series’ roots. The dedication paid off. Zhao Defa, the novelist who penned the original story, took to Weibo to laud Yang’s performance, noting that she had spent several days in the actual filming locations, learning farm chores and household tasks to internalise the character’s daily rhythm. “I was moved to tears by the final scene,” Zhao wrote, adding that Yang’s portrayal “surprised” even the most skeptical viewers, who had initially doubted a city‑raised star could convincingly embody a country dweller.

Other members of the production were also highlighted in the online chatter. Zhao Da – a producer linked to the series – was praised with the hashtag #赵达说杨幂值得最好的#, which translates to “Zhao Da says Yang Mi deserves the best.” The sentiment reflects the wider industry appreciation for the actress’s work ethic and the collaborative spirit that helped the show land its strong viewership.

Not everyone, however, could make it to the banquet. Co‑star Chi Peng, who played a supporting role, politely declined the invitation, citing the sweltering heat and opting instead for an “online celebration” by re‑watching episodes at home. Yang teased the situation with a light‑hearted remark that Chi had asked for an autograph to give to relatives, adding a touch of humor to the otherwise polished affair.

The event itself became a trending topic on Weibo, with the hashtag #生万物庆功宴# lighting up the platform. Beyond the photos and cake, fans expressed a keen desire for a behind‑the‑scenes vlog that would reveal the banquet’s more intimate moments – from candid conversations to any impromptu performances. The anticipation points to a broader trend: audiences are not only hungry for the finished product but also for the process that brings such stories to life.

Industry observers note that the banquet is a clear indicator of the series’ commercial success. “生万物” aired on iQIYI and quickly amassed a sizable following, thanks in part to its fresh take on rural life, a genre that has seen renewed interest among younger viewers looking for narratives beyond the usual urban drama. The positive reception has been bolstered by strategic social media engagement, where the cast’s personal posts have amplified the show’s visibility and deepened fan loyalty.

In sum, the “生万物” celebration banquet was more than a formal thank‑you; it was a cultural moment that highlighted the symbiosis between star power, authentic storytelling, and fan interaction in today’s Chinese entertainment landscape. With Yang Mi’s performance firmly etched in viewers’ minds and the production team riding a wave of accolades, the series’ legacy appears set to endure well beyond its final episode.


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